Predominantly working with sculptural assemblage, installation and image, Juliette’s interdisciplinary approach uses the meticulous collection, collation, and assembly of archival materials to investigate material culture, its structures and systems.
Her work unfolds as a form of inquiry where action, probing and staging intertwine in order to better understand the tensions and relationships between artefacts and people, unpacking what negotiates and frames individual and collective experiences as well as the specific ontologies of objects.
The installations and assemblages produced present themselves as mnemonic investigations, studies of objects and the analysis of their presence; the traces they bear, the gestures they imply and the potential narratives they contain. This process unveils the language and sign systems through which we experience and describe the world. Her choreographic re-arrangements interrupt the imagination of spaces and the narratives contained within them, producing a complex interplay between factual and faux spatial realities. Often working in situ, her practice is realised in response to a place, whether fictional or real, or in relation to the idea of ‘places,’ its genius loci.
Exhibitions include Empire State Of Mind at DAM, Berlin (2025), Rhythmanalysis, Pusher, London (2025), In Contiguity, Sherbet Green, London (2024), The Leisure Class, Deichtorhallen Hamburg (2024), Vitrine, Torbay, London (2024), Tender like asphalt, Sherbet Green, London (2023); The last off-site show on the Earth, Off site and Plague Space, Krasnodar (2023); Fracture me, Tenderly, Greatorex Street, London (2023); This is Nowhere, and it’s Forever, artist-organised exhibition in the former Libris bookstore, Brussels (2023); Language itself is a revolution, SOMA, Marseille (2022); 51.5323, -0.105, Candid Arts Trust, London; Hiraeth, Espace Future, Paris (2021); and Kevätsalonki, Kosminen Gallery, Helsinki (2021)
PDF portfolio and catalogue available on request