JULIETTE LENA HAGER P
infos
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lenahager33@gmail.com

                                                                words
                                                                things





Scene i and Scene ii
on view for Faire Fair 2 curated by Eve Delavie at 3537, Paris, France, April 2023





   

           
Peace Perfect Peace; funeral card; 1916
Selected “finished”*** works

2023 Scene i + Scene ii 
         The big church


2022 
         Untitled (Box)
         Artefacts of Comforts                                          
         Agility of a Mirage                                              
         Professional Mourners                                        
         Quiet Ends                                    
         God Bless                                    
         Bench Scene
         The weight of the earth (burial)
  
         All the things I can not see          
         An Echo of an Echo                      

2021 All About Houses (456 Houses)
         All About Houses (Annexe)
         250_Ko
         Forest
         Untitled (a memory)
                                         

2020 How many times did I die without noticing?
        Axe
       


2019 One morning after the world has changed
         Deconstructed Garden


2018 Memory Simulation
        Myths and Foundations
        Silk Shells


object-installation
painting    



painting
video
painting
painting
painting
painting
painting

painting
object
sound

installation

book
object
print


video
object



video
installation


installation
video
video



**
A lot of the work resists to designation- and as the establishment of limits or at least the idea of a thing being finished (perhaps to fight the diziness of infinity) is always implied..there is very little space left for the weaving movment, the making of new structures, the ever-changing, the mistake, the change in proposition, undoing and doing, going back and forth etc...

So- here an attempt at making space for the forgotten things will be made.

A lot of the time spent in the studio consists in assembling things together. 
Sometimes to glue an image on the wall and drop a petal next to a chair is a finished work. But it resists to definition. 

Collecting is almost always the starting point, and then making from;  with or as a replica; a response.


                                    
                                   





(1) ash casket / box to hold human hearts or a memory
(2) argizailoa simulacra, wrapped like a secret
(3,4,) photographs of ezkoa / beeswax, for eternal life and its variations
(5) hair for more eternity
(6) ´all the things I can not see' concrete tombstone